| |
All
Saints, Skeyton
 |
|
There
are places you always remember for how lonely
they are, and I guess that is how I will always
think of Skeyton. I had been cycling around the
Bure valley between Hoveton and Aylsham, but it
was only early afternoon on this first proper
spring day of the year, and I saw hills to the
north that were the most beautiful thing I had
seen all day. Tiny lanes threaded into them, and
so I followed one. The land folded gently, a
long corrugated ridge curving between Swaffham,
North Walsham and the sea. Although I had my OS
map, I had to keep my wits about me; tracks split
off in all directions, and cycling in the folds I
could see no landmarks ahead. When All Saints
first appeared where I knew it to be, it was as a
pillbox on top of the next ridge.
|
This
resolved itself into the top few metres of the
uncrenellated tower, and then I was climbing the ridge,
the church rising lonely on the plateau beyond. For the
first time, a chilly east wind caught me, and even in the
sunshine I could tell that this would be a bleak spot in
winter. A farmhouse keeps the church company, but
otherwise there is nothing for miles.
You can
see at a glance that this is an ancient building on an
ancient site. The west end of the 12th century nave is
helpfully delineated in brown carstone, and the lower
part of the tower is probably the same age. The
buttressing and big windows of the nave make it look
bigger than it is. Curiously, the tower is actually set
at the south end of the nave west wall, and I am guessing
that a north aisle was absorbed at some point. There was
never a separate chancel, so the Victorian tracery in the
centralised east window might suggest that this was when
it happened, although this assumes that the aisle
extended right to the east end. Puzzling.
The double
doors in the porch looked rather forbidding, and I was
sure the church would be locked; but they opened, and
inside the porch I found that the grill was also unlocked
across the inner door. I pulled it back, and tried the
handle doubtfully; but it turned, and I stepped down into
the cool interior.
Already on
this site I have mentioned 'bread and butter' churches,
the ordinary parish buildings that serve their purpose
and have done so for hundreds of years, but are otherwise
unremarkable. All Saints is certainly that. It is, pretty
much, a Victorian church inside. A radical restoration,
with plain, simple furnishings; the benches, the font
cover, the sanctuary, the tiled floor, all are 19th
century; the cast iron royal arms are interesting, but in
general it felt a fairly plain, sparse kind of place.
| And
yet, and yet... on the west wall there is a
photograph of All Saints in its 1920s
Anglo-catholic heyday. It is only a black and
white shot, but still... I gazed at the
silverware and flowers around the high altar, the
grand reredos and altar frontal, the candles, the
incense... all gone now, all gone. Looking east,
it was possible to recognise that this was the
same church, but only just. What an extraordinary
lonely little shrine in the hills this must have
been then! And now, bare and plain, just another
church. I left the inner and outer doors
open, closing the grill to keep out birds. It
seemed a sin to shut out the sunshine, the
birdsong, the warm air, the world coming back to
life. Feeling a little serious, I headed off in
the direction of Tuttington, deeper into the
hills.
Simon Knott, April 2005
|
|
 |
|
|