| |
|
St George
Tombland, Norwich
 |
|
This
is as pretty a church as you'll find in Norwich,
and the setting is unsurpassed. Hemmed in by 17th
and 18th century houses, the church is set back
in one corner of the city's famous Tombland, just
across the road from the Cathedral of the Great
and Undivided Holy Trinity. Indeed, the church
was once known as St George at Trinity Gate. If
you approach the church from Princes Street, the
cathedral spire appears unnervingly as if it is a
little spirelet at the top of St George. As you
reach it, you find it set back behind mature
trees, tight in its little graveyard. Bequests
from the tower date from the early part of the
15th century, and the rest is probably broadly
contemporary. The very top of the tower is a 17th
century repair in the Gothic tradition.
|
Coming from low church Suffolk, St George
appears exotic to my eyes, because it is on one of the
highest rungs of the Anglo-catholic ladder. Statues and
stations abound, and both aisles end in the east at
Marian altars. The furnishings are largely 19th century,
but the chancel retains its gorgeous 18th century
reredos, which is fitting in a city which was at the
height of its power and influence at that time. Also 18th
century is the pulpit with its high tester, both elegant
and awe-inspiring. The font cover is a hundred years
earlier, the St George and the dragon motif on its top a
hundred years later. The font itself is an arcaded job in
Purbeck marble, familiar from hundreds of rural East
Anglian churches. This one has been urbanised somewhat by
the Victorians, placed on grand marble pillars.
| St
George has two notable early 17th century
memorials. Up in the chancel is the marvellously
named Alderman Anguish. His monument is by
Nicholas Stone. It is highly coloured, and he
kneels opposite his wife, their family living and
dead around them. Another former mayor is
remembered at the west end. John Symonds died in
1609, and left unto the poore of this parish two
shillings a week to be continued forever. Well,
ten pence won't go far these days, but if you are
one of the Tombland poor you might consider
looking on the shelf below it, for this is the
original dole table on which charity payments may
be made.
|
|
 |
Despite being a small church in a small
parish, St George has provided its fair share of mayors,
and in common with many other city churches retains its
sword and mace holders in the north aisle, decorated with
some of their names. Not far off is a rather naive
bas-relief of St George and the Dragon, which I take to
be 16th or 17th century in style.
My two favourite features
here are both in glass, five centuries apart. In
the south aisle there is a broken roundel from a Labours
of the Months sequence. It depicts April;
you can click on it at the start of this piece to
see it enlarged. At the east end of the aisle,
and in the image to the right, is a superb window
from the 1920s or 1930s depicting the Blessed
Virgin flanked by angel musicians. I would love
to know who the artist is.
Unusually for a small church in
Norwich, St George is militantly open every day.
|
|
 |
Simon Knott, November 2005
|
|
|