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All
Saints, Horsford
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We
are within the orbit of outer Norwich, and the
busy Cromer road is not far off, but All Saints
graveyard is an oasis of calm, and it was a
pleasure to be there on this bright Autumn
morning. The church is set back from the lane,
and by the time I reached the east end of the
graveyard to take a sun-filled shot of the the
chancel, the birdsong was louder than the noise
of traffic, my peace only shattered by a large
jet coming into land at the airport.. The Early
English chancel is a pretty, rustic structure,
with a thatched roof and neatly plastered walls,
and the date 1703 picked out in a naive style
with red tiles in the flint of the gable. 1703
was the year of one of the two great storms of
that century; it destroyed much of the fishing
fleet along the Norfolk coast, and so I suppose
it is possible that the mending of the chancel
happened in response to that storm. The storm
took place in November, but in those days the New
Year did not begin until March 25th, which might
just have given time for a new gable. Another
possibility is that the chancel had been fixed up
earlier in that year, in which case the
churchwardens must have been well pleased that
their handiwork survived the maelstrom, and still
survives for us to see today. The triple lancet
window is unusual, not least because the
plastering creates the effect that the windows
are melting.
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The porch
bears the very encouraging notice that this church is
OPEN daily for private prayer, as all Anglican
parish churches should be, of course. The lady cleaning
inside confirmed that All Saints is open every day. As
with almost everywhere in this part of Norfolk, the hand
of the Victorians fell heavily here, and the small
windows mean that this felt a rather gloomy interior even
on such a bright day. But as my eyes became accustomed to
the dimness I could see that this was a very well-loved
and cared for interior.
Not much
survives of the medieval life of Horsford. The most
significant remnant is a nice little screen, which must
have been made right on the eve of the Reformation, and
has been restored rather heavily since. There is also a
big arcaded Norman font, and a cluster of 15th Century
glass collected into a panel in the north aisle window.
But the great star of the show here is East Anglia's best
example of a 19th Century window by the grandly named
Royal Bavarian Institute for Stained Glass, made by the
Zettler workshop of Munich. It remembers three sisters,
Edith, Dorothea and Nona Day, who died of consumption in
1891, 1892 and 1893 in Davos and Cairo. One sister stands
on the far shore of the Jordan, welcoming her sisters
across to a curiously Bavarian paradise, their halos
looking like nothing so much as jaunty hats.
| Mortlock
recalls that the Horsford estate remained in the
hands of the same family from the Norman Conquest
until 1973, when it was sold for the extension to
Norwich airport. That family, the
Barrett-Lennards, are remembered in memorials and
heraldic glass. It is understandable that
the Church of England has suffered a loss of
nerve in some parishes in recent years, but to
come to Horsford is to see another side of the
story. Here, there is a brand new gallery at the
west end of the nave, and it has been built to
house an organ. It is in a thoroughly modern
assymetrical style, and is obviously the mark of
a parish which is mindful of its tradition, and
is taking that tradition with it into the future.
I found it hard to imagine that many parishes
would have the confidence and motivation to spend
money on such a project in this day and age, and
I found that rather heartening.
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