|  |  | St
        Michael, Braydeston 
            
                |  |  | And
                so we came to Braydeston. It was the end of the
                Historic Churches bike ride day 2007, and all
                over England the welcomers were taking in the
                sign boards, washing out the squash jugs and
                putting the last of the biscuits back in the tin.
                We had visited 19 churches so far; a modest
                number, perhaps, on this day when virtually all
                are open, but we had found the Anglicans of the
                Yare Valley to be a particularly friendly bunch,
                detaining us with their conversation and offers
                of cups of tea. They seemed genuinely pleased to
                see us, although this may well be because
                ordinarily most of their churches are kept
                locked, unlike the majority in Norfolk. We had seen
                Braydeston off on its gentle hilltop several
                times during the day, particularly from Blofield,
                where the great tower is less than half a mile
                from Braydeston's little boxy one. But that is as
                the crow flies, or the rambler walks, or the 19th
                century Rector plods on his horse from one Divine
                Service to another. To get from one to the other
                by car, it is necessary to go out along the
                narrow, doglegging lanes between fields already
                ploughed, a smell of earth and the gathering
                coldness of a late summer afternoon. |  Braydeston
        is one of those churches that few people visit, I would
        hazard a guess. It isn't particularly well-known for
        anything historic or interesting, and the setting is so
        lonely that it is unlikely too many pilgrims or strangers
        turn up to rattle at its locked door in frustration. We came
        down the track and parked, and a nice lady came out to
        the gate to welcome us. You could sense that she was one
        of those stalwarts of rural churches. These are the
        people who count the collection, make sure the gutters
        are cleaned out, fill in the health and safety forms,
        organise the flower rota, and so on. They are the reason
        why some rural medieval churches look as if they have a
        busy life, and yet others have been abandoned. It often
        has little to do with the size of the village, or the
        number of people in the congregation. Ultimately, it is
        about the commitment of a small number of people. God
        help their churches when they go. As it
        turned out, this energetic lady had also written the
        guidebook, and was very knowledgeable about her building.
        St Michael rides its gently sloping hillside like a great
        ship, the chancel lifting out of the waves. There was
        obviously once an aisle on the south side, and although
        there is the ghost of a Norman window on the north side,
        the church looks mostly the work of the 13th century. For
        a moment, you might think the same of the rather stark
        tower, but in fact it appears to be the result of a
        bequest in the late 15th century. The
        interior is rather narrow, and in the late afternoon
        there was not much light getting inside. But the east
        window, depicting Faith, Hope and Charity, is excellent,
        and provides a lovely focus for worship. It was installed
        as a war memorial in the 1920s.      
 There was
        quite an early 19th century restoration here, and it is a
        restrained one, most fitting in this quiet place. The
        most unusual feature is the stumpy font; the top part is
        an octagonal bowl in the Decorated style, probably on the
        eve of the Black Death, but the pedestal is a huge thing,
        as wide as the bowl. I couldn't make out if they were two
        separate pieces of stone. Is it original, or was it added
        later to replace a collonade? The little
        screen is delicately carved, and a beautiful pelican in
        her piety plucks at her breast to feed her chicks with
        her own blood. On the wall beside it is a reminder of
        this building's preaching house days, the stand for the
        hourglass which made sure ministers didn't skimp on the
        sermon. The simplicity of the interior makes the few
        details stand out, including the handful of memorials;
        rather sad ones, I am afraid. One is to two of the sons
        of the Reverend Thomas Drake, who, in 1830, were
        drowned by the upsetting of a boat at Langley in this
        neighbourhood. It seems that their father was
        already dead, for this humble tablet to commemorate
        the melancholy event is erected by Martha Stewart, relict
        of the above. Further to the west is a reminder of a
        tragedy of almost a century later. Walter Meire, the 25
        year old son of Walter and Hannah Meire of Verne House in
        Brundall, was killed in action at the Battle of Loos
        in September 1915. His body was never found, and he is
        remembered on the Loos memorial. A simple wooden plaque
        remembers the two boys from the parish killed in World
        War Two. It was all
        lovely and interesting, a real touchstone down the long
        generations of the parish of Braydeston. I stood
        outside, and looked out across the rolling fields towards
        Blofield's tower. This was the end of my fourth Historic
        Churches bike ride day in Norfolk, and by chance it
        happened that Braydeston was my 700th Norfolk church.
        There will be many more to come, but so far it has been a
        privilege to immerse myself in this great treasure house
        of a county's faith and history, what the writer Simon
        Jenkins has called the greatest folk museum in the world.
        If we are in the last days of the Church of England - and
        its demise has been greatly exaggerated, of course - what
        will happen to these wonderful buildings? I thank God
        that there is a greater will to preserve them than there
        was in the 1960s, for example. 19th
        century philosophers argued that Faith would die; but of
        course, this hasn't happened, at least not yet. Many of
        the Christian denominations are undergoing unprecedented
        growth, and people are forever 'surprising a hunger in
        themselves' to seek out holiness. And there are new
        religions; consumerism, hedonism and humanism, to name
        but three, which may seem evil in their ways to
        Christians, but which are eagerly reached for by those
        seeking to satisfy the emptiness in their lives. And what
        of the future? As well as changing patterns within its
        own sphere, Christianity is going to have to cope with
        the emergence of popular scientific atheism as a real
        threat. For the first time since the days of Communist
        Russia and Nazi Germany, we regularly have philosophers
        and psychologists appearing in the media to tell us that
        our Faith is a form of mental illness, that bringing up
        our youngsters in the Christian tradition is a form of
        child abuse, and that the battle between good and evil
        will be fought with genetics. God help us if these people
        ever achieve political power. Meditating
        on this rather depressing development, I wondered what a
        medieval Braydestoner would have seen if he had looked
        out towards Blofield on a day like this, perhaps in the
        early years of the 16th century. It would have looked
        much the same, I suppose. There would have been fewer
        trees, the fields would have been smaller, and there
        would have been more people on them, for the annual
        ploughing took far longer then than it does now.  What would
        he have felt? The same cooling, evening breeze coming
        from the east as me, perhaps. What would he have smelt?
        the same sharpness of the cloven earth, the sweet
        sourness of the leaves begining to turn, the year
        beginning to wind down. And what would he have heard? 
            
                | It
                was nearly six o'clock. I imagined the angelus
                bell, which has not rung at Braydeston for almost
                half a millennium, jangling out its brisk trot
                across the fields, and the ploughing workers
                pausing for a moment to stand - not in prayer
                exactly, more in an attitude of meditation, a
                moment to recollect who they really were, and
                that there was more to life than ploughing and
                sowing and reaping and birth and death and the
                eternal struggle to survive. That they were, in
                fact, God's People. And then
                they would return to their work, shadowy figures
                now in the deepening mist, as other distant bells
                took up the call, further and more distant, all
                the way across lost Catholic England. |  |  |  |  |  |