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The Norfolk Churches Site: an occasional sideways glance at the churches of Norfolk

St Michael, Aslacton

Aslacton: lost in a maze of narrow lanes

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an attractive, welcoming church St Michael the gorgeous south aisle, clerestory and porch 

    St Michael, Aslacton
unequivocably Saxon   It has been observed that the area south of Norwich has the largest concentration of medieval churches in northern Europe. And yet, some are not so easy to track down. Aslacton is lost in a maze of narrow lanes; you find it where four of them meet, and St Michael is at the centre.

Aslacton is an attractive village, and St Michael is an attractive, welcoming church, as befits one of the Pilgrim Group of parishes. The most striking thing about it is the unequivocably Saxon tower, the double-headed triangular bell openings telling us that everything apart from the battlements was here before the Normans arrived and got us all organised.

The body of the church is a history of what happened subsequently. The nave, probably Norman, was supplemented by an Early English chancel which exhibits signs of the Decorated period. Most likely, given that this is Norfolk, the chancel was built in the Decorated period with idioms surviving from the earlier period; but curiously, Pevsner detected what are fairly convincing Saxon survivals in the masonry at the south-east corner.

And then the 15th century, which had put the battlements on the tower, brought the gorgeous south aisle, clerestory and porch, completely changing the shape of the church. Although there is only an aisle on one side, the nave is short enough for the interior to feel square, the big windows of the aisle filling it with creamy light.

As so often with a church like this, where you enter into the aisle of a small building, the interior appears to unfold before you. St Michael is not a treasure house, but it is a delightful country church with local character and a sense of being at the heart of its community, a church of ordinary, local people.

  Agnus Dei in the west window

There are a couple of other curiosities. The arcade that divides the aisle from the nave does not line up with the chancel arch, but ends about 60cm short. In between is an alcove; I think it may have contained the rood loft stair, but it is hard to see exactly what happened; was the arcade begun from the west, while someone was working quite independently on the rood apparatus at the other end of the nave? Or, could there have been an earlier attempt to build an arcade that the Black Death interrupted?

There are bits of 19th century glass; an Agnus Dei in the west window, a St George in the chancel, and a busy, interesting Crucifixion by the Kings in the east window. But this is not a church you'd come to wanting to see something in particular; rather, to experience the sense of an English country church doing what it has done for centuries.

Innocenzo Caputo obviously loved Aslacton. He was a poor illiterate peasant, who set out to establish himself and his family in a foreign land, and succeeded. He died in July 2003, and is buried in the churchyard by the porch.

  Innocenzo Caputo

Simon Knott, February 2006

   

looking east font curious gap between arcade and chancel arch St George in the chancel
looking west chancel aisle Crucifixion

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The Norfolk Churches Site: an occasional sideways glance at the churches of Norfolk